AMERICAN CINEMA OF THE 1940S: THEMES AND VARIATIONS

A volume in the Screen Decades series,

edited by Lester D. Friedman and Murray Pomerance

The 1940s was a watershed decade not only for the American cinema, but also for the nation as a whole. Shaking off the grim legacy of the Depression, Hollywood launched an unprecedented wave of production, producing some of its most memorable classics, including Citizen Kane, Rebecca, Argentine Nights, The Lady Eve, Sergeant York, and How Green Was My Valley. In 1942, however, Hollywood joined the national war effort with a vengeance, giving way to a series of patriotic and escapist films, such as Casablanca, Mrs. Miniver, The Magnificent Ambersons, The Road to Morocco, and Yankee Doodle Dandy.

With the end of the war in 1945, returning GIs faced a new America, in which the country had been transformed overnight. Film Noir reflected a new public mood of pessimism and paranoia, in such classic films of betrayal and conflict as Kiss of Death, Force of Evil, Caught, and Apology for Murder, depicting a poisonous universe of femme fatales, crooked lawyers, and corrupt politicians.

With the threat of the atom bomb lurking in the background, and the beginnings of the Hollywood blacklist in 1947, the 1940s was a decade of crisis and change. Featuring essays by a group of respected film scholars and historians, American Cinema of the 1940s brings this dynamic and turbulent decade to life. Illustrated with many rare stills and filled with provocative insights, American Cinema of the 1940s will appeal to students, teachers, and to all those interested in cultural history, and American film of the twentieth century.

About the Author: Wheeler Winston Dixon is the James Ryan Endowed Professor of Film Studies at the University of Nebraska, Lincoln, and, with Gwendolyn Audrey Foster, editor of the Quarterly Review of Film and Video.

Table of Contents:

Contents

Acknowledgments

Timeline: The 1940s

Wheeler Winston Dixon

Introduction: Movies and the 1940s

Matthew Bernstein

1940: Movies and the Reassessment of America

Sarah Kozloff

1941: Movies on the Edge of War

Steven Jay Schneider

1942: Movies and the March to War

Catherine Preston

1943: Movies and National Identity

Nicholas Spencer

1944: Movies and the Renegotiation of Genre

Kristine Butler Karlson

1945: Movies and the March Home

Wheeler Winston Dixon

1946: Movies and Postwar Recovery

Tony Williams

1947: Movies and the Blacklist

Joanna Rapf

1948: Movies and the Family

Marcia Landy

1949: Movies and the Fate of Genre

Select Academy Awards, 1940-1949

Works Cited and Consulted

Contributors

Index

Published: 2006

Paper ISBN 0-8135-3700-2

Cloth ISBN 0-8135-3699-5

Pages: 272 pp. 33 b&w illus.

Series: Screen Decades Series

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