“This is the film history book we’ve been waiting for.” —David Sterritt, Chairman, National Society of Film Critics
“Highly recommended.” —Library Journal (starred review)
A Short History of Film, Second Edition, provides a concise and accurate overview of the history of world cinema, detailing the major movements, directors, studios, and genres from 1896 through 2012. Accompanied by more than 250 rare color and black-and-white stills—including photographs of some of the industry’s most recent films—the new edition is unmatched in its panoramic view of the medium as it is practiced in the United States and around the world as well as its sense of cinema’s sweep in the twentieth and early twenty-first centuries. Wheeler Winston Dixon and Gwendolyn Audrey Foster present new and amended coverage of film in general as well as the birth and death dates and final works of notable directors. Their expanded focus on key films brings the book firmly into the digital era and chronicles the death of film as a production medium.
The book takes readers through the invention of the kinetoscope, the introduction of sound and color between the two world wars, and ultimately the computer-generated imagery of the present day. It details significant periods in world cinema, including the early major industries in Europe, the dominance of the Hollywood studio system in the 1930s and 1940s, and the French New Wave of the 1960s. Attention is given to small independent efforts in developing nations and the more personal independent film movement that briefly flourished in the United States, the significant filmmakers of all nations, and the effects of censorship and regulation on production everywhere. In addition, the authors incorporate the stories of women and other minority filmmakers who have often been overlooked in other texts. Engaging and accessible, this is the best one-stop source for the history of world film available for students, teachers, and general audiences alike.
"With the goal of offering 'a fast paced tour' of movie history, Dixon and Foster have produced a study in the tradition of Paul Rotha's The Film till Now. The authors touch all the bases--they address new trends in international moviemaking, technologies, and critical theory and the emergence of new national and ethnic cinemas--and relate film history to social history (the latter augmented by a witty, useful time line: e.g., the year l900 lists quantum theory, Freud, the Brownie camera, the Boxer Rebellion, and 'the hamburger' as benchmarks). Each new technique, style, school, trend, and newly visible ethnic or feminist group takes its place in the larger history, and Dixon and Foster make it all accessible to the neophyte reader without ever breaking the pace. Uncommonly well-reproduced stills and a topically organized bibliography enhance the discussion. Summing Up: Highly recommended. Lower- and upper-division undergraduates; general readers."
-- Thomas Cripps, Choice.
"I’m often asked to recommend a book on 'movie history.' Surprisingly enough, finding a single volume covering the development of such a wide-ranging subject can be difficult. But the quest has ended, in my opinion. A Short History of Film is the best 'one-stop shopping' volume on cinema history I have ever read. It offers not only thoroughness and concision, but also encourages meaningful browsing, as readers can pick and choose their topics of particular interest and then move on as desired. This book rewards both cover-to-cover reading and more sporadic 'as time permits' perusal. The major chapters focus on: the invention of moving pictures; the birth of the film industry; the Hollywood studio system and concurrent developments in international moviemaking; the influence of World War II and other historical events on subsequent decades of filmmaking; 'world cinema' from the 1970s to the present; and the 'new Hollywood.' Throughout, the text emphasizes important directors and significant examples of their work, described in precise and engaging prose. Arguably just as valuable as the book’s content are its frequent 'supplements,' including a timeline from 1832 to 2012, delineating important developments both cinematic and world-historic; and a glossary of film terms. And thanks to the book’s numerous bibliographies, if/when a reader’s appetite is whetted for additional information on a particular director or individual country’s film output, more recommended titles are close at hand. A Short History of Film will reward readers with an expansive and entertaining journey through an ever-evolving art form brought to fruition by a century’s worth of dedicated craftspeople."
-- Catherine Ritchie, Booked Solid.
Book Series Editor, New Perspectives on World Cinema, Anthem Press, London
21st Century Hollywood: Movies in the Era of Transformation
(Rutgers University Press, 2011)
“A significant and impressive work on the cutting edge of current critical discussion on the digitization of film . . . the sheer scope of Dixon and Foster’s knowledge is dazzling.” — Steven Shaviro, author of Post-Cinematic Affect
They are shot on high-definition digital cameras—with computer-generated effects added in postproduction—and transmitted to theaters, web sites, and video-on-demand networks worldwide. They are viewed on laptop, iPod, and cell phone screens. They are movies in the 21st century—the product of digital technologies that have revolutionized media production, content distribution, and the experience of movie-going itself. 21st - Century Hollywood introduces readers to these global transformations and describes the decisive roles that Hollywood is playing in determining the digital future for world cinema. It offers clear, concise explanations of a major paradigm shift that continues to reshape our relationship to the moving image. Filled with numerous detailed examples, the book will both educate and entertain film students and movie fans alike.
"Foster presents a timely indictment of US "celebrity" culture, wherein a credit card, plastic surgery, and happy pills represent the keys to the American Dream. She examines how constant exposure to the fantasy world of the rich and famous impacts the lives of average individuals, who try to replicate these worlds through behavior, dress, and, in many cases, dieting and/or plastic surgery. And if all this fails to help them achieve the American Dream of unending luxury and fame, these celebrity-seduced individuals can always turn to pharmaceuticals for their ultimate happiness. Foster also points out that the illusions created by the media lead many to believe they can "class-pass" as one of their favorite celebrities with a mere swipe of their credit card, an idea promoted through advertisements, reality television shows such as Queer Eye for the Straight Guy, and "documentary" programming like VH1's The Fabulous Life. Both timely and pertinent to the current discourse on class and culture in the US, Foster's book is a must. Summing Up: Essential. All readers; all levels. -- A. F. Winstead, CHOICE March 2006
Foster has also published Women Film Directors: An International Bio-Critical Dictionary (Greenwood Press) on the history and critical reception of women filmmakers in the United States and abroad, and Women Filmmakers of the African and Asian Diaspora (Southern Illinois University Press), on the work of women filmmakers within African and Asian society.
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